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London Men's Wear Designers Share Fall Musings

From Gunter Sachs and Redsand Sea Forts to the Shetland Isles and the Wee Free Church, designers offer a glimpse of their visions for fall.

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J.W. Anderson

Photo By Courtesy Photo

Appeared In
Special Issue
Men'sWeek issue 12/13/2012

From Gunter Sachs and Redsand Sea Forts to the Shetland Isles and the Wee Free Church, designers share their visions on their men’s collections for fall.


J.W. Anderson


“It’s a continuation of the SS13 men’s collection into explorations of new architectures for men’s wear.”

 

NEXT: Jeremy Hackett >>

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Jeremy Hackett

Photo By Tim Jenkins

Appeared In
Special Issue
Men'sWeek issue 12/13/2012

Jeremy Hackett

“The collection, with its British-made fabrics and clothing, was inspired by the Prince of Wales check. Part of the proceeds from the sale of the collection will go to the Prince of Wales Foundation.”

 

NEXT: Lou Dalton >>

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Lou Dalton

Photo By Courtesy Photo

Appeared In
Special Issue
Men'sWeek issue 12/13/2012

Lou Dalton

“Time spent in the Shetland Isles as well as re-watching classic movies like ‘Local Hero’ — a mix of a Texan oil baron and the raw state of the Shetland landscape were the foundations I built the AW13 collection around.”

 

NEXT: Patrick Grant >>

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Appeared In
Special Issue
Men'sWeek issue 12/13/2012

Patrick Grant, designer and owner, E. Tautz

“This season, we’ve taken our inspiration from the Wee Free Church in the Scottish Hebridean Islands, the idea of Sunday best, kitsch religious icons and household artifacts, and the idea of the fractures and dislocations in a close society that staunch observance of the Sabbath creates.”

 

NEXT: John Smedley >>

 

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Appeared In
Special Issue
Men'sWeek issue 12/13/2012

John Smedley

“Our brand is founded on a number of great ideas, not least the design and manufacture of Long Johns since the early 1800s. Indeed, Long Johns are synonymous with John Smedley because of this. Of course in the old days the only color they came in was ecru; then in the 1930s the advent of synthetic dyes coincided with the growing new sport of skiing, and colorful Long Johns became part of the John Smedley collections. This season we have taken inspiration from 1930s-1960s skiwear in our own archive and reinterpreted it for the modern gent.”

 

NEXT: Richard Nicoll >>

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Appeared In
Special Issue
Men'sWeek issue 12/13/2012

Richard Nicoll

“I’ve been thinking a lot about the idea of ‘the perfect boring’ and ‘special normal,’ so clothes that are modest and simple, charming, easy, elegant and authentic. I like the idea of creating the perfect wardrobe staples that balance classicism and youthful energy.”

 

NEXT: Richard James >>

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Appeared In
Special Issue
Men'sWeek issue 12/13/2012

Richard James

“Park Life, a unique fixture of London life that abounds with a curious, all-consuming life of its own. Exhibitions and exhibitionism, the innocent and the illicit.…It’s an intriguing, inimitable parallel world that rings out with such big colors as the reds of bandsmen’s uniforms, the burnished gold of autumn leaves and the deep purples of hedgerow fruit.”

 

NEXT: Clive Darby >>

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Appeared In
Special Issue
Men'sWeek issue 12/13/2012

Clive Darby, creative director, Rake

“Gunter Sachs and his Saint Moritz apartment to David Niven playing the Phantom in the first ‘Pink Panther’ film. From après-ski to private party. Colorful, fun, witty and elegantly stylish.”

 

NEXT: Mr. Start >>

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Appeared In
Special Issue
Men'sWeek issue 12/13/2012

Mr. Start

“For AW13 it’s again an exploration in how men wear suits; they must be simple yet strong and above all easy to wear. The best design for me is always invisible yet extremely useful. I am always inspired by contemporary architecture — its structure and deceptive simplicity.”

 

NEXT: Christopher Raeburn >>

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Christopher Raeburn

Photo By Courtesy Photo

Appeared In
Special Issue
Men'sWeek issue 12/13/2012

Christopher Raeburn

“I’ve had a long-standing obsession with the Redsand Sea Forts off the coast of Whitstable. They were built during the Second World War to serve as defensive gun platforms to help protect London. My inspiration has really come from reimagining these structures for modern life and the garments that you might need to operate there. As always we’re careful to bring the collection into a wearable format but it’s been really interesting to use the Sea Forts as a starting point — so many of our fabrics in the Remade range for this season are really functional and lend themselves towards that environment.”

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